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Society Functions

19 April 2:00 PM Annual General Meeting  (NO DVD PRESENTATION)

The Annual General Meeting of the Wagner Society of NSW will be followed by a wonderful Concert of Wagner and Strauss

Dramatic Soprano: Mylinda Joyce
Dramatic Mezzo: Tania Ferris
Baritone: Robert Beasley
Accompanist: Chris Cartner

Mylinda Joyce is being supported by the Wagner Society in Vienna for Wagner and Strauss coaching Tania Ferris has performed for the Melbourne Wagner Society and was the actress in Strauss’Capriccio for Opera Australia  Robert Beasley was in the chorus for Faust and is about to be in Aida for Opera Australia Chris Cartner has been a repetiteur for Opera Australia, is currently with Sydney Philharmonia and runs the Resonance series

The recital will be followed by afternoon tea

All welcome: $20 members and $25 guests

AGM 2015 Agenda and Documents

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Agenda for AGM 2015

Minutes of the AGM 2014

Audited Statements for 2014

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The Society's program for 2015 is oulined below for your diaries - we will update the page as required and post a special entry for each upcoming function. 

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Fin de Siècle and Tristan

Anke Höppner, soprano, David Miller, piano Perform compositions influenced by Wagner’s Tristan und Isolde
by Alexander Zemlinsky & Arnold Schönberg


at Mosman Art Gallery
Cnr. Art Gallery Way and Myagah Road Mosman

2pm Sunday 9th November 2014

Followed by the Wagner Society NSW Christmas Party
Members $40, Non Members $45 (Pay on entry)

Download Flyer:

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 2:00 pm
George Gilmour & Sarah Louise Owens: In pursuit of choral perfection: insiders’ views of the Bayreuther Festpiel Chor

DVD: Wagner Gala Concert from Semperoper Dresden. Jonas Kaufmann; Staatskapelle Dresden/Thielemann

Followed by afternoon tea

Members: $20 Non-Members: $25

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2 pm


From the Sublime to the Ridiculous:
The Long, Strange Ride of Wagner’s Valkyries.

Dr James Wierzbicki, a musicologist from the United States where he taught Film and music at the University of Michigan and the University of California-Irvine, as well as being for more than twenty years chief classical music critic for the St. Louis Post-Dispatch and other large American newspapers. He is the author of a number of books on film and music. Since 2010 he has lectured for the University of Sydney.

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